They effortlessly create an additional context for your main subject by providing more of the background to tell a story with. But they can even be used in portraiture, sports shoots, and other types of photography you would not expect. Typically wide-angle lenses are used for architecture, landscapes, astrophotography, and other subjects where you want to showcase a lot of scenery. Modern distortion and chromatic aberration corrections combined with the incredible slew of Nikon options (matched only by Canon) mean that you are spoiled for choice. It’s possible to get lenses as low as 10 mm before getting into fisheye territory if you need all that extra field of view. If you shop around for older manual film lenses, you’ll find quite a few in the 20-35mm area.īut modern lenses are often quite a bit wider. Strictly speaking, anything below 35mm on a full-frame body is considered a wide-angle lens. Wide-angle lenses, as the name suggests, create images with a wider field of view compared to other lenses. But eventually, you’re going to want to have one or two handy. Nevertheless, Nikon D800E users have several other choices including the more modest yet still excellent stabilized AF-S Nikkor 16-35mm f4 ED VR and the recently revamped ultra-lightweight AF-S Nikkor 18-35mm f3.5-4.5G ED.Wide-angle lenses may not be the first thing you grab when building a lens kit. Sigma 12-24mm F4.5-5.6 EX DG HSM II Nikon Nikon AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED A couple of custom filter holders have been introduced to accommodate the design but they’re far from ideal. If there’s a downside, it’s that the use of ND and polarizer filters is impractical due the bulbous front element. It’s so good it has replaced the appropriate prime wide-and ultra-wide Nikkors in most landscape photographers’ packs. If you’re a Nikon user already it will come as little surprise to learn that the AF-S Nikkor 14-24mm f2.8G ED head this particular list. It has excellent sharpness and an outstanding DxOMark lens score for a lens like this, but at close to $3,000 it’s a serious investment. The best performing ultra-wide by some margin is the Zeiss Distagon T* 2,8/15. Also, the firm has still to upgrade the film-era AF-Nikkor 24mm f2.8D model however the recently revamped 28mm f1.8G is a good performer on the D800E, and at $699 it’s modestly priced. The two manual focus Zeiss 25mm models are notable, the high-speed version for its outstanding image quality, and the other for its close focus capability, price and rugged build.Īlthough Nikon produce a PC-E Nikkor 24mm f3.5D ED at $2,000 with perspective control movements often favored by landscape and architecture photographers, we’ve not tested it. In fairness, though, the 24mm focal length is arguably the most popular wide-angle model, and it’s well suited for landscapes. The Art series Sigma 35mm f1.4 continues to perform well on the Nikon D800E and not only is it the best corrected but it has the highest peak sharpness. Samyang 14mm f/2.8 IF ED UMC Aspherical NikonĬarl Zeiss Distagon T 21mm f/2.8 ZF2 NikonĬarl Zeiss Distagon T 25mm f/2.8 ZF2 NikonĬarl Zeiss Distagon T 18mm f/3.5 ZF2 Nikon Models with shorter focal lengths are much more difficult to correct for the various aberrations that inevitably occur at such extremes.Ĭarl Zeiss Distagon T 25mm f/2 ZF.2 NikonĬarl Zeiss Distagon T 35mm f/1.4 ZF2 Nikon Of the wide-angle lenses analyzed the best performing models are unsurprisingly those closest to the 50-85mm focal lengths.
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